Details Category: A variety of styles and trends in art and their features Posted on 09.12.2014 18:43 Views: 2373

Today, graffiti is considered a form of street art and one of the most popular forms of artistic expression around the world.

There are different styles and types of graffiti. Graffiti has already established itself as an independent genre contemporary art and as part of the culture and urban lifestyle. In many countries and cities, writers create real masterpieces on the streets of cities.

Developing a classification of graffiti styles can seem like a daunting task. Graffiti has evolved over several decades, but this relatively short span of time compared to other art forms does not seem to affect the richness of their stylistic expressions. dates back to Roman times, but they were not created with any aesthetic idea in mind. From its first widespread appearance on the New York subway to the buildings and walls around the city, graffiti has had a bad reputation that has often drawn negative action from officials.

Often graffiti is used for political and social messages. However, you should be aware that in most countries of the world, graffiti on someone's property without the permission of the owner of this property is considered vandalism and is punishable by law.
The history of graffiti goes into the deep past. But first things first.

Some of the early graffiti artists were even for their work, which was declared as vandalism by the political elites. Starting from the initial wrestling with perhaps the most widespread art form, graffiti has evolved in different styles after the initial dominant forms of tagging and whipping. Tags and tosses are the most basic forms of graffiti, which are the writing of graffiti ad titles in stylized letters. Graffiti has evolved over time into more complex representations that transcend lettering and include figurative and abstract compositions.

Origin of the term

(from the Italian graffito, plural graffiti) - images, drawings or inscriptions scratched or drawn with paint (ink) on walls and other surfaces. Graffiare (Italian) - "to scratch."
And currently the most popular spray art drawing graffiti with spray paint. In ancient times, graffiti was applied to walls with a sharp object, as well as chalk or coal.

The quality of such images and their critical edge increased the importance of graffiti and influenced their transition from the streets to studios and galleries. From simple scribbled names on walls, graffiti today comes in numerous styles. Some of them, like stickers and hardcore graffiti, may not articulate a style per se, but are part of the street art scene. Stickers are created in studios or anywhere where street commercials work and then applied to walls, and hardcore style is a slightly edgier form of labeling and is described as a violent, antagonistic form of tagging or throwing.

History of graffiti

Everyone knows that wall inscriptions existed in countries ancient east, in Greece, in Rome.
The earliest graffiti dates back to the 30th millennium BC. These are prehistoric rock paintings and pictographs painted on the walls. The drawings were made in ritual and sacred places inside the caves. Most often they depicted animals or hunting scenes. Safsky language, which existed in the period from the 1st century BC. BC. according to the IV century. n. e., and only survived in the form of graffiti - inscriptions scratched on the rocks in southern Syria, eastern Jordan and northern Saudi Arabia.

Scroll down to learn more about graffiti styles and see some typical examples of each style. Editorial Board: Graffiti Art Styles: A Classification System and Theoretical Analysis. This book presents a classification system for graffiti styles reflecting the experience of graffiti writers and the work of art historian Erwin Panofsky. Based on Panofsky's theories of iconographic analysis, the classification model is intended to define graffiti style by distinguishing between certain visual characteristics.

Sketches on paper

The classification system also demonstrates the relevance of Panofsky's theories of iconographic analysis to provide access to non-representational or abstract images. The result is a new paradigm for Panofsky's theories that challenges the assumptions of traditional models. This innovative book is a valuable resource for those who want to learn more about graffiti and information professionals dealing with the practical and intellectual issues involved in accessing images.

Graffiti in ancient Pompeii: a caricature of an official
Ancient graffiti has also been preserved in the ancient Greek city of Ephesus (the territory of modern Turkey). Viking graffiti exists.

What did ancient people write about? Approximately about the same things that they write about now: about love, about politics and about other vital things. They wrote the same way: with grammatical and spelling errors. There are inscriptions like "Vasya was here." There is nothing new under the sun!
And how were things with graffiti in Russia? Wonderful! In Novgorod there are 10 graffiti of the 11th century, and in Kyiv (Ancient Russia) there are about 300 graffiti of the 11th-15th centuries. are located in the Cathedral of St. Sofia. They talk about the political events of that time.
AT modern form graffiti appeared at the beginning of the 20th century. - in the New York subway, and then on boxcars and in underpasses. Since then, graffiti has become a part of pop culture and has become associated with hip-hop, hardcore, beatdown and breakdance music. For many, graffiti is a way of life, hidden from the public and incomprehensible to others. Political activists used graffiti to spread their ideas.
By the 1970s, graffiti had grown in popularity, and new styles began to emerge. The first writer to come to prominence was TAKI 183, a teenager from the Washington Heights area of ​​Manhattan. His tag TAKI 183 consisted of his name Demetrius (or Demetraki, Taki) and the number of the street where he lived - 183. Taki worked as a courier, and wherever he went on the subway, he left his tags everywhere. He got a lot of followers.
Gradually, the manner of tags became more complicated, new styles of graffiti began to appear, and the movement itself acquired a competitive character.

All images are used for illustration purposes only.

Old school - from metro to the world

This is the main tag and graffiti that was widely present in the subway system in New York in the beginning. Later, they emerged from this underground cradle to take over the city and initiate the flowering of this art form. This style can be difficult to decipher, but is visually the same or even more appealing than others. It is considered by many to be the royal discipline of New York graffiti. Curved and intertwined letters, arrows, spikes, and other decorative elements blend into each other, making it difficult to recognize what is written.

More complex tag
In this regard, the city authorities began to fight graffiti artists. After all, not all works were skillful enough, and graffiti began to be identified with the clogging of city streets - scribbles on the walls were equated with garbage, landfills and desolation. A lot of money was spent on fighting graffiti. But at the same time, sometimes the writers painted such complex and beautiful graffiti on the facades of the stores that the store owners did not dare to paint over them. In some countries, special places were allocated for writers on the streets, in underground passages, etc., where they could express themselves calmly.

Graffiti in the modern world

The intricate pattern of letters and other shapes creates dynamic abstract images where letters can only be detected by professionals. The name of this style reminds a lot of the aesthetics of the style. The rounding of the letters in classic throws was the initial step that led to the development of the bubble style. The letters are round, circular, and often partially overlap each other, creating an image that appears to expand and become a bubble.

Featured Image: Graffiti Swarm in Engesvang, Denmark

Brush - creating painterly results

Relatively quick to complete, once the initial design is set, the brush style means using a brush or paint rollers that create a smooth final effect. Graffiti brushes are devoid of unnecessary lines and small parts, but sometimes brushes can be used to make fine dots, which creates a more painterly result. In the example we have chosen to illustrate this style, graffiti artist Zilda made a reminiscence of Renaissance art on a wall in Naples.

"Legal graffiti" in the city of Stroud (England)
The question of whether graffiti is an art form began to be seriously discussed. Meanwhile, graffiti began to gain more and more space: it began to be used in computer advertising, in video games, in the design of skateboards, clothes and shoes.
Graffiti has spread all over the world. Today Sao Paulo (Brazil) is considered the capital of graffiti and a place of inspiration for writers from all over the world.

Featured Image: Piece of Zilda in Naples, Italy

Abstract - Following Historical Precursors

In an abstract style, the main goal is not readability, but the visual superiority of each part. There are no messages or emails that appeal to viewers. Instead, the focus is on combining visual elements that create dynamic and balanced figures.

Blockbuster - Block letters and large spaces

The blockbuster style is large murals made of sprayed letters, done quickly and sometimes with paint supplies. The goal of graffiti blockbusters is to cover a large area in a short amount of time. In the blockbuster style, two groups stand out. The use of large square and rectangular letters distinguishes this style, while the second group - the whole car - means sprayed art that covers entire trains, from left to right and top to bottom.

Graffiti in the city of Olinda (Brazil)

How about in Russia?

Mass movement modern graffiti in Russia refers to the 1980s. In 2006, an international graffiti festival was held in St. Petersburg. And in large cities of Russia, annual graffiti festivals are held. Let's talk about one of them.

Bold cap - spraying the widest lines

The thick cap is the name of a special nozzle invented for graffiti art. This allows a wider stream of spray to exit the can, creating the largest lines. It is especially used for marks, throws and fillers, which, due to the width of the lines, are defined as a special stylistic group called "fat cap".

Stencil - from graffiti style to global subculture

Possibly the most popular style on this moment, stencil is a style of graffiti that uses shapes made from cardboard, paper, or other materials to reproduce images. The desired shapes are cut from these materials and applied with paint or paint on walls and other surfaces. The use of stencils makes it easier to replicate images, which also contributes to the popularity of this style, which in last years has become a global subculture.

Snickers Urbania (SNICKERS URBANiYa) is an annual youth festival of street culture. The festival was first held in 2001, it includes the main areas of street culture: extreme sports, graffiti, breakdance, beatbox, freestyle. Its purpose is to give a chance modern youth declare yourself and your talent, as well as provide an opportunity to try your hand at professional equipment for extreme sports. The festival was held in largest cities Russia: Moscow, St. Petersburg, Nizhny Novgorod, Rostov-on-Don, Volgograd, Samara, Kazan, Yekaterinburg, Novosibirsk, Krasnoyarsk, and also in Kazakhstan - in Almaty.

Cartoon - Surreal worlds of graffiti comics

Cartoon characters, comic book superheroes or surreal motifs define the style commonly known as cartoon. The style combines figures and motifs taken from popular culture or creative, come up with their own cartoon designs. Coffee was inspired amazing illustrations and stories in this periodical, prompting him to create his own cartoon worlds on the walls of Buenos Aires. The landscapes, the crevices that seem to appear in urban textures, the figures and other forms that seem to pop up in the middle of sidewalks make this style especially popular.

BombART platform
In the early 1980s stencil graffiti was also born. It is created by cutting out shapes from a hard, dense material. The finished stencil is applied to the canvas and sprayed on top of it with quick, light and precise movements. spray paint. This technique has become popular due to its fast execution.
The most important tool in graffiti is spray paint in cans. Use rollers for paint and stencils, brushes, markers, wax rods, crayons, etc.

Some of the ads notable for the masterfully used style are Edgar Muller, Julian Beaver and Kurt Wenner. In an edgy style, letters or abstract elements are sprayed or painted in as sharp and angular forms as possible. While other styles may feature sharp shapes, this style pushes them to their limits. The blurring, stretching, and distortion of the letters are extreme, often resulting in these pieces appearing furious, aggressive, and forceful.

From the beginning to the present, graffiti has evolved, creating different styles and sub-genres. They are practically signatures made by a person or a group of people. They are very simple, one color, usually white, black or silver. Writers write their aliases or pseudonyms, each with their own style, and there are a lot of them, as they are very fast when excessive tags appear in one place.

Graffiti in the modern world

Basically, graffiti is done on the streets (walls of buildings, underground passages, garages, payphone booths, parked cars, asphalt pavement in yards, etc.); in transport; in entrances and on stairs (including apartment doors, mailboxes, etc.); in the interiors of institutions.
Very slowly, but graffiti begins to acquire the status of a socially neutral phenomenon and is perceived as an integral element of the modern metropolis, a mass cultural phenomenon. It loses the meaning of protest. The language of graffiti is becoming a universal code of urban communication.

Relatively simple letters, thick and rounded, contain more than one color, at least have padding and outline. They are based on Phase 2 graffiti from the 70s, he made different subtypes himself.

  • Fantastic phasmagothic: letters pomp surrounded by stars.
  • Cloud Pomp: Letter pomps wrapped in a cloud shape.
  • Chessboard: the letters are shaded.
  • Giant Pomp: Disproportionately large pump letters on top.
  • A graceful plane: pompous letters bent and scratched.
They are similar to pump letters, but with simple designs as their goal is not quality but quantity.

Types and styles of graffiti

Tagging is a quick application of the author's signature on the surface. A separate signature is called a "tag" (from the English tag - label). Taggers are not very interested in the meaning and aesthetics of their creations, the main thing is to leave as many "autographs" as possible. Often tags are incomprehensible to people who are not privy to the details.
Among writers, tags placed in hard-to-reach, but prominent places are valued. The team tag is called "single".
The inscriptions are usually applied using paint cans or thick markers. Experienced writers can write a tag in 2-3 seconds.

They are made as quickly as possible, when filling them, traces of the spray are visible, leaving it scratched and semi-independent. One of the main drivers of this movement was Cap, in the 80s in the New York subway, where if you wanted to have graffiti you had to be very fast.

Types and styles of graffiti

They are very simple letters, large and thick, with simple fillings, can be seen from afar and are completely legible. There is no a priori writer who develops this style, since. Many master writers of other styles have been able to use it depending on where they work.

wilde(English Wildstyle - wild style). The main feature of this style is the intricate plexus of letters, sharp corners, shards and arrows. The name of the style was given by the nature of the drawing: wild, incomprehensible, since often the letters are so intertwined and many extraneous elements are introduced that readability becomes zero. 3D Wildstyle is distinguished from the wild (volume is added to the regular wild).

This is a complex and highly stylized form of writing that is not easy to read for the untrained eye. Static: We can call it this way because of its more geometric nature, with sharper angles, straighter lines and a few curves. These elements may be applicable to the letters themselves, or to their embellishments and connections. Dynamic: in which letter shapes and connections are more rounded, stylized, and smooth. They have in general more movement and, however, more carefree. . It draws attention due to its complexity of shapes and color combination, the pastel model tends to create a three-dimensional effect in the letters, so a very effective style where even sometimes the design of the letters happens with the background and the filling of the same becomes more important.

The "Bubble" style refers to the "old school" and is very significant along with all other styles. This is one of those styles that writers (graffiti artists) start their training with.

From the very name "Bubble » (from the English "bubble"), it becomes clear to us the style of the image of the letters, namely that they look like bubbles. Sometimes, in the drawing, the letters can reach several meters.

Let's try to draw graffiti in this style. To make it clearer, let's take not the English, but the Russian short word "POWER". First, let's make a rectangle in which we "write" our word. Take a simple pencil, sheet A 4 and retreat 2.5 cm from the top, and 2 cm from the bottom, then draw straight lines. This is where we will build our word (Fig. 1).

Let's start with the letter "C". We get it like a big drop (Fig. 2).


We draw the letter “I” behind the letter “C”, we will get it at an angle (Fig. 3).


One side of the letter "L" is closely adjacent to the "I". And it also turns out at an angle (Fig. 4).


We draw the letter “A” small so that it fits on the sheet and thereby balances the drawing (Fig. 5).


We add volume to our letters (Fig. 6).


We circle the outline of the letters with a red felt-tip pen or marker (Fig. 7).


Starting to cover the font yellow, leaving white highlights, and paint over the volume with an orange marker (Fig. 8).


On the final stage we paint over a wide outline around the word with a red marker and add drops, giving life to the drawing. If you forgot to leave white highlights, you can always finish them at the final stage with white gouache or corrector.

And thus, our graffiti is ready!