Even at the dawn of the advent of television and radio, the appearance of telephone communications in the world, there were many legends and conjectures that were associated with one way or another of their “non-standard” use. For example, cases have become frequent when relatives of a person who has just died heard his voice on the telephone, and literally a few minutes or hours after his death. Radio amateurs began to periodically catch with their receivers signals about the help of the captains of long-sunk ships.

In the early sixties of the last century, television was also added to the list of amazing phenomena. It was about the so-called "white noise", which is interference that occurs in the complete absence of a television signal.

Some researchers believe that it is through such television interference that humanity can enter into communication with the other world. But what is this white noise and how justified is the assertion that something much more than ordinary static electricity is behind the flashing of white dots on the TV screen, of course, no one can explain exactly.

It turns out that new technologies are so closely interconnected with the other world that they exist, so to speak, "in one dimension" ...

There is a version that everything that happens outside the range of human understanding occurs, as a rule, at the submaterial level. We are talking about energy - energy flows that cover the astral world of man. Esotericists say that in some way ghosts and astral spirits are bundles of energy that people are not able to perceive without special devices.

But another thing is electrical devices, which, when tuned to modulate electromagnetic signals, can, according to some researchers, do an excellent job of receiving energy interference not only in ours, but also in the world of subtle matters. And if the line between energy and matter is so thinned that astral currents can penetrate our world, then televisions are able to catch them.

In January 2005, the documentary "White Noise" was released on English screens. It was devoted to a little-studied phenomenon, which in scientific terms was called the phenomenon of electronic voices or EVP. White noise, and that is what we are talking about, can be heard on the radio among the hiss. It manifests itself in the form of voices and sounds of an incomprehensible nature, sometimes in the form of signals of unknown origin, manifested in the form of strange ghostly faces appearing on the TV screen.

This phenomenon has long interested scientists. Back in 1920, the inventor Thomas Edison wrote about him in one of the issues of Scientific American. He believed that if the soul continues to live after death, then it is quite natural to assume that she will want to communicate with those who are dear to her and whom she left on earth. According to Edison, it was quite realistic to create an instrument that could record otherworldly messages. Moreover, some biographers of the inventor believed that he tried to invent a similar device, but there is no exact evidence of this.

Both Marconi and Tesla expressed interest in creating such a technique for contacting the spirit world. For the first time, this phenomenon was discussed back in the thirties of the last century. It was then that unidentified voices were heard on the radio by Swedish and Norwegian military pilots during training flights. This was also reported in the press.

In 1930, in London at Wigmore Hall, several hundred spectators became unwitting witnesses of a strange phenomenon. The show was about to start. There was already a microphone on the stage, there was no one around. Suddenly, loud voices were heard from loudspeakers installed at different ends of the hall, connected to a microphone. The conversation was in different languages. No one, neither the sound engineers serving the event, nor the scientists who subsequently studied this case, could ever explain it.

In 1952 in Milan, two priests tried to install a loudspeaker in a church. They wanted the parishioners to hear masses well. But suddenly there was a hiss from the loudspeaker, and then a voice was heard, which clearly said that he was always with them and would help them. Both priests immediately recognized the voice, which belonged to the recently deceased father of one of them.

An even more surprising incident occurred a few years later with documentary film producer Friedrich Jurgenson. Recording bird voices in the forest, and then listening, he was amazed: some other record was superimposed on the recording of bird chirping, on which someone spoke competently about the habits of birds. Jurgenson thought it was a recording of a radio broadcast about birds. But a few weeks later, after listening to the same recording, he no longer heard the voice of the ornithologist. Instead, Jurgenson recognized the excited voice of his dead mother, who was saying something to him.

The producer turned to Konstantin Rodiv, a well-known psychologist and student of Carl Jung, who studied this phenomenon, for help. Having given birth with the help of physicists and electronics engineers, he was able to create a receiver, the main element of which was a pure crystal. The receiver was called a goniometer. With his help, Rodiv recorded several thousand otherworldly voices and even published a book about his research.

Psychics say: the world around us is filled with voices. Most often they warn about something or threaten. Sometimes they predict events and even save lives. Most often they can be heard in ancient buildings, at burial places, etc. - places with concentrated energy, those where powerful bursts of emotions took place. One such place is hospitals, where there are always many events accompanied by active emotions: sometimes positive, but more often negative.

Every profession has its own legends, secrets and superstitions. Aesculapius do not like to talk about amazing phenomena that cannot be explained from the point of view of science. But most of all, resuscitators face the unknown. They often see ghosts, hear strange voices.

Scientists have one rule: when considering a phenomenon, do not focus on a single explanation, and no matter how unrealistic the hypotheses may seem, they subject each of them to study.

What else can explain the phenomenon of white noise, except as contact with the other world. Many theories have been put forward about the origin of this phenomenon. One of the first assumptions was that the result of interference on the air is the activity of special services. Allegedly, intelligence transmitted information in this way. But many experiments were carried out, during which outside interference was excluded.

The most scientific hypothesis was that the EVP phenomenon is the sounds heard by humans from space. A person who is eighty percent water is, in principle, able to perceive electromagnetic signals without the help of devices. After all, as you know, water is an excellent conductor of radiation, but this is hardly possible to explain the specific phrases of the messages, which are often addressed to specific people.

Since 1984, the Harsch-Fischbachs from Luxembourg began to hear voices coming from different sources. The spirits contacted them with the help of equipment, which was called the "Eurosignal bridge". Once a voice ordered to disconnect the TV from the antenna and switch it to an unconfigured channel. They did just that by installing a video camera. Images began to flash on the screen. When the recording was viewed at a slower speed, the image of a previously deceased relative appeared on the screen.

The entity, introducing himself as "The Technician", revealed that his job was to coordinate research. The technician told me when the message came in so they could record it. On one of the recordings, his words are clearly audible that he is not an energy and not a light being. His role is to open the bridge of communication.

But one circumstance makes it impossible to attribute all this to aliens: the vast majority of images on the records are photographs of people who actually lived on Earth once.

The researchers found that the more white noise is studied, the more interest “active souls” show in people. After all, these are the souls who definitely need to tell something. After all, there are cases when wild cries for help are heard live.

Those who heard such voices, according to them, were thrown into a stupor, many even turned gray before their eyes. But what is it and who can beg for help like that? Or maybe these cries are emitted by "evil souls"? And then a suspicion creeps in: maybe hell really exists ...


In January 2005, the film "White Noise" was released in the UK, dedicated to a still little studied phenomenon - the so-called phenomenon of electronic voices, or EVP. It lies in the fact that sometimes on the radio, among the hissing, which is called "white noise", you can hear voices and sounds of incomprehensible origin. Sometimes signals of an unknown nature in the form of strange ghostly faces also appear on the TV screen. In the film, Michael Keaton plays Jonathan Rivers, whose wife Linda died under mysterious circumstances. Jonathan soon meets a man who claims to be able to receive messages from the dead, including Linda. The inconsolable widower asks to be connected to his dead wife and is soon confronted by the EVP.


Famous scientists have long been interested in this phenomenon. On October 30, 1920, in the next issue of Scientific American, the famous inventor Thomas Edison wrote: “If a person, or what we call the soul, continues to live after death, then it is natural to assume that she would like to communicate with those whom she left here on earth. I think that it is possible to create an instrument that will record otherworldly messages.” Some biographers of Edison believe that he tried to create a similar device, although there is no evidence for this. Marconi and Tesla also expressed a serious interest in creating technology that allows contact with the spirit world.

The EVP phenomenon was first discussed in the 1930s. Then Swedish and Norwegian military pilots heard unidentified voices on the radio during training flights. It was written about in the newspapers.

In 1930, in London's Wigmore Hall, hundreds of people witnessed an unusual phenomenon. The show hasn't started yet. There was a microphone on the stage, near which there was no one. Suddenly, from loudspeakers installed at different ends of the hall, connected by wires to a microphone, several loud voices were heard speaking different languages. The sound engineers who served the event were later unable to explain what had happened.

In 1949, in Manchester, at the International Congress of the Organization of Spiritualists, the Dutch engineer Zwaan demonstrated a device he had created that was capable of capturing and reproducing the voices of dead people.

In 1952, in Milan, two Catholic priests installed a loudspeaker in a church so that all parishioners could hear Mass well. Suddenly, a hissing sound came from the loudspeaker, and then from there it was heard: "I am always with you and will help you!" Both witnesses of the unusual phenomenon recognized the voice of the recently deceased father of one of the priests.

In 1959, documentary film producer Friedrich Jurgenson was recording the voices of birds in the forest. He was amazed to find that another recording was superimposed on the recording of the birds' voices. A man spoke with knowledge of the habits of birds. Jurgenson thought he had somehow recorded a radio broadcast about birds. But when he listened to the same recording a few weeks later, the ornithologist's voice was no longer there. Instead, Jurgenson was called by his mother's excited voice: "Friedel, my little Friedel, can you hear me?!" Friedel mother called Jurgenson in childhood.



After that, the producer managed to record several more unknown voices that spoke different languages. Jürgenson worked on the problem with Dr. Hans Bender, head of the department of parapsychology at the University of Freiburg.

In 1965, Dr. Konstantin Rodiv, a well-known psychologist and student of Carl Jung, met Jurgenson and, convinced of the existence of EVP, became interested in studying this phenomenon. Rodiv attracted physicists and electronic engineers to work and created his own receiver, in which the main element is a pure crystal. The receiver was called a goniometer. Using a goniometer, Rodiv recorded thousands of otherworldly voices and in 1968 published a report on his research, translated into several languages.

In the same years, American businessman George Meek sponsored a similar project in the United States. Engineer Bill 0 "Neil, who previously worked at NASA, designed a device for communicating with the world of spirits, called a spiricom. In 1981, 0" Neil died under strange circumstances, and the spiricom disappeared.

By that time, EVP had intrigued people around the world. In Britain, two researchers, George Bonner and Raymond Kass, experimented with a reel-to-reel tape recorder and made "white noise" act as a carrier of voices. Bonner asked into the microphone, "Can anyone hear me?" A minute later, the answer appeared on the tape: “Yes!” Bonner and Kass recorded tens of thousands of otherworldly voices over the course of 22 years.

Despite a large number of experimental results, none of the researchers has been able to explain EVP so far. Later, this concept was expanded, and a new term appeared - instrumental transcommunication, which also includes otherworldly phone calls, ghostly recordings on VCRs and mysterious messages on personal computers. In 1982, a society of enthusiasts of these phenomena appeared in the UK - the Association for Instrumental Transcommunication. The leader of the society is Judith Chisholm. Her passion for EVP began with a very curious incident.

In 1999, she bought a tape recorder and found that it did not play the music she had. Annoyed, Judit cursed: “These idiots in the store sold me a low-quality product!” Suddenly, the tape recorder, where the tape with the recorded music was spinning silently, came to life and said: “The tape recorder should not be returned to the store.” Miss Chisholm was surprised to recognize the voice of her colleague and friend, who had died a few years earlier. "Jack, is that you?" - quietly dared to ask Judit. - "Me baby. I'll help you," came from the tape recorder.

From then on, as soon as Edith turned on the tape recorder, "they" began to talk to her or to each other. "They" are otherworldly voices. Judit recognized some of them - they were her dead relatives and acquaintances. Some voices could not be recognized, others spoke foreign languages. Sometimes the connection was two-way, and Judit could communicate with deceased friends. Sometimes they did not answer questions, as if they did not hear her, or they talked among themselves.

Miss Chisholm's record library contains about a thousand recordings of spirit voices. Judit often travels the world and speaks at seminars organized by paranormal societies in different countries. Her wonderful tape recorder is always with her. Miss Chisholm and other enthusiasts of the phenomenon of electronic voices are trying to attract specialists - physicists, engineers, psychologists - to their research. The goal is to unravel the phenomenon of instrumental transcommunication and create a universal device with which anyone could contact their deceased loved ones.

But what is strange is that every third message from there carries a threat or aggression.

How to get a message from there?

Researchers prefer the so-called radio method - today, in their opinion, it is the most effective. You need to do the following: turn on the tape recorder for recording, connect it with a cable to the radio. And put the microphone in front of you. The volume of the receiver should be adjusted so that the questions you ask are clearly audible over white noise or radio broadcasts.

The point of using a radio for recording is that frequencies become available to partners on THAT side. But it is not known which one they will choose. Therefore, you can tune in to white noise, that is, to a frequency at which no living person broadcasts. Hissing, whistling, rattle will be heard from the speaker. But they are generated by electromagnetic fields that promote contact. Against this noise background, voices should appear.

Signalers recommend this method to beginners whose hearing is not yet sufficiently trained. Then you can tune in to a certain wavelength, where there are transmissions. What? Here everyone decides for himself - by intuition, or something. But, according to Igor and Artem, they have repeatedly asked to use two frequency bands for communication on short waves: 31 meters (10 MHz) and 41 meters (7 MHz). They called these bands frequency windows, giving them more freedom to penetrate the world of the living.

Using the radio method, it is necessary to maintain a critical attitude, - warns Artem Valeryevich. - Listening to a recording is a rather laborious process. And the listener can easily be misled by the fact that several radio transmissions, especially on shortwave, are superimposed on one another. The voices from there, received by radio, are for the most part transformations of already existing snatches of phrases, and this means that the interlocutors on the OTHER side use the spoken speech as raw material for the formation of messages. In general, in order to avoid arbitrary interpretations of what was said that have nothing to do with paranormal voices, one should not use broadcasts in one's native language.

The living don't talk like that

There is a problem, - agrees Artem Valeryevich. - But, firstly, as a rule, the content of messages from the afterlife is most directly related either to the essence of the question asked by the experimenter, or to the experimenter himself. Secondly, genuine spiritual voices have a number of specific characteristics - they do not resemble the speech of a living person, at least in rhythm and timbre. With experience, their recognition becomes not so difficult. In the future, the received voices can be re-recorded separately on another magnetic tape or on a computer disk as an audio file in order to facilitate their study.

In most cases, voices are heard only during the subsequent listening to the magnetic tape, although in world practice there are vivid examples of transcommunication in the form of direct dialogues through the receiving radio equipment. If a specific interlocutor on the THAT side is selected, you need to calmly concentrate and mentally call him. After that, when the tape recorder is turned on, ask the first question aloud. Wait thirty seconds and ask the next one. When the session is over, the tape is rewound and carefully listened to. Better - with the help of good headphones. And several times, especially listening to the gaps between the questions asked. Answers are most often single words or short sentences spoken quickly - in fractions or in a few seconds. Or, on the contrary, so slowly that they seem to be a meaningless rumble. Loudness is different, as well as intelligibility. Sometimes the voice of someone's soul fills the ears.

Advanced specialists often process recordings - slow down or speed up playback. and filter out unwanted noise.

What are the dead talking about?

As it turned out, a person, getting to heaven, becomes very laconic and philosophical. This is proved only by a few recent statements recorded by Igor and Artem.

To the question: Is abortion a crime, and if so, why? - Followed by the answer: We're waiting. In the light of known spiritual knowledge, this can be interpreted as follows: the souls are waiting for the next resettlement. And if women kill their children, then free souls will have no one to inhabit.

During one of the sessions on the radio, a song performed by a male voice in English sounded in the background. Suddenly, in the place where the refrain should have been, a female voice intervened and sang in Russian: It's more beautiful here!

In response to the question whether the physical dimensions of people and animals that were inherent in the physical body are preserved, the answer was received: We are like waves.

A long monologue is heard, from which only the beginning and end are clear: Immortal man! (beginning)… Choose your Truth! (at the end).

Guardian angels know about you! It's about a missing person.

The dead are very different - a deep male voice in the background of the music.

We have children.

And the most beautiful and optimistic that I heard was, oddly enough, the phrase: We are waiting for you.

Where are we going from you...

For thousands of years, man has sought to communicate with the beyond. He wanted to know what was beyond the line - the final end or a new beginning? I always wanted to console myself that everything would not break so quickly. That relatives and close people did not die at all, but went to live in another world. What is the meaning of life after all. And the only thread that connects this and that world is the seances that skeptics still laugh at.

toropyggka about "" I was reminded of the mention of the phenomenon of "white noise", when the voices of ghosts were recorded on magnetic media. I offer an interesting article by Sergei Mikhailov on this topic.

In January 2005, the film White Noise was released in the UK, dedicated to a still little studied phenomenon - the so-called phenomenon of electronic voices, or EVP. It lies in the fact that sometimes on the radio among the hiss, which is called "white noise", you can hear voices and sounds of unknown origin. Sometimes signals of an unknown nature in the form of strange ghostly faces also appear on the TV screen.


Famous scientists have long been interested in this phenomenon. On October 30, 1920, in the next issue of Scientific American, the famous inventor Thomas Edison wrote: “If a person, or what we call the soul, continues to live after death, then it is natural to assume that she would like to communicate with those whom she left here on earth. I think that it is possible to create an instrument that will record otherworldly messages.” Some biographers of Edison believe that he tried to create a similar device, although there is no evidence for this. Marconi and Tesla also expressed a serious interest in creating technology that allows contact with the spirit world.

The EVP phenomenon was first discussed in the 1930s. Then Swedish and Norwegian military pilots heard unidentified voices on the radio during training flights. It was written about in the newspapers.

In 1930, in London's Wigmore Hall, hundreds of people witnessed an unusual phenomenon. The show hasn't started yet. There was a microphone on the stage, near which there was no one. Suddenly, from loudspeakers installed at different ends of the hall, connected by wires to a microphone, several loud voices were heard speaking different languages. The sound engineers who served the event were later unable to explain what had happened.

In 1949, in Manchester, at the International Congress of the Organization of Spiritualists, the Dutch engineer Zwaan demonstrated a device he had created that was capable of capturing and reproducing the voices of dead people.

In 1952, in Milan, two Catholic priests installed a loudspeaker in a church so that all parishioners could hear Mass well. Suddenly, a hissing sound came from the loudspeaker, and then from there it was heard: "I am always with you and will help you!" Both witnesses of the unusual phenomenon recognized the voice of the recently deceased father of one of the priests.

In 1959, documentary film producer Friedrich Jurgenson was recording the voices of birds in the forest. He was amazed to find that another recording was superimposed on the recording of the birds' voices. A man spoke with knowledge of the habits of birds. Jurgenson thought he had somehow recorded a radio broadcast about birds. But when he listened to the same recording a few weeks later, the ornithologist's voice was no longer there. Instead, Jurgenson was called by his mother's excited voice: "Friedel, my little Friedel, can you hear me?!" Friedel mother called Jurgenson in childhood.

After that, the producer managed to record several more unknown voices that spoke different languages. Jürgenson worked on the problem with Dr. Hans Bender, head of the department of parapsychology at the University of Freiburg.

In 1965, Dr. Konstantin Rodiv, a well-known psychologist and student of Carl Jung, met Jurgenson and, convinced of the existence of EVP, became interested in studying this phenomenon. Rodiv attracted physicists and electronic engineers to work and created his own receiver, in which the main element is a pure crystal. The receiver was called a goniometer. Using a goniometer, Rodiv recorded thousands of otherworldly voices and in 1968 published a report on his research, translated into several languages.


In the same years, American businessman George Meek sponsored a similar project in the United States. Engineer Bill 0 "Neil, who previously worked at NASA, designed a device for communicating with the world of spirits, called a spiricom. In 1981, 0" Neil died under strange circumstances, and the spiricom disappeared.

By that time, EVP had intrigued people around the world. In Britain, two researchers, George Bonner and Raymond Kass, experimented with a reel-to-reel tape recorder and made "white noise" act as a carrier of voices. Bonner asked into the microphone, "Can anyone hear me?" A minute later, the answer appeared on the tape: “Yes!” Bonner and Kass recorded tens of thousands of otherworldly voices over the course of 22 years.

Despite a large number of experimental results, none of the researchers has been able to explain EVP so far. Later, this concept was expanded, and a new term appeared - instrumental transcommunication, which also includes otherworldly phone calls, ghostly recordings on VCRs and mysterious messages on personal computers. In 1982, a society of enthusiasts of these phenomena appeared in the UK - the Association for Instrumental Transcommunication. The leader of the society is Judith Chisholm. Her passion for EVP began with a very curious incident.

In 1999, she bought a tape recorder and found that it did not play the music she had. Annoyed, Judit cursed: “These idiots in the store sold me a low-quality product!” Suddenly, the tape recorder, where the tape with the recorded music was spinning silently, came to life and said: “The tape recorder should not be returned to the store.” Miss Chisholm was surprised to recognize the voice of her colleague and friend, who had died a few years earlier. "Jack, is that you?" Judit quietly dared to ask. “Me baby. I'll help you," came from the tape recorder.

From then on, as soon as Edith turned on the tape recorder, "they" began to talk to her or to each other. “They” are otherworldly voices. Judit recognized some of them - they were her dead relatives and acquaintances. Some voices could not be recognized, others spoke foreign languages. Sometimes the connection was two-way, and Judit could communicate with deceased friends. Sometimes they did not answer questions, as if they did not hear her, or they talked among themselves.

Miss Chisholm's record library contains about a thousand recordings of spirit voices. Judit often travels the world and speaks at seminars organized by paranormal societies in different countries. Her wonderful tape recorder is always with her. Miss Chisholm and other enthusiasts of the phenomenon of electronic voices are trying to involve specialists in their research - physicists, engineers, psychologists. The goal is to unravel the phenomenon of instrumental transcommunication and create a universal device with which anyone could contact their deceased loved ones.

But what is strange is that every third message from there carries a threat or aggression.

Are you familiar with the concept of the Electronic Voice Phenomenon - EVP or EVP (from the English Electronic Voice Phenomenon) or as it is popularly called - White Noise?

It turns out that physical devices are capable of picking up signals sent from the other world.

Most often, these are tape recordings or images that appear on a TV screen operating in a range that is not tuned to television broadcasting channels, sounds on the radio, and telephone calls.

Someone considers this nonsense and does not believe in such “miracles”, finding “rational” explanations for what is happening. But given the scale of research, the number of real records and confirmations, it will be difficult to brush aside.

Since there is a lot of material on this topic, so as not to bore readers, I will lay it out in stages, in several parts. Let's start with those who have devoted a lot of time and effort to the phenomenon of electronic voice.

I think this article will be of interest to skeptics, "techies" and those who are looking for instrumental confirmation of otherworldly phenomena.

First contacts with the world of the dead

Back in 1895 Thomas Alva Edison invented the necrograph, an apparatus capable of capturing those waves that are studied by a substance that continues to exist after the death of a person.

He believed that people are not able to communicate with the subtle worlds because their sense organs are not sensitive enough for this.

Edison also entered into an agreement with William Dinwiddie that the one who dies first will surely send another voice message from the other world.

Dinwiddie died in 1920, and Edison told Scientific American that he had communicated with him using his apparatus. But neither the apparatus itself nor its drawings have been preserved.

There is a version that Nikola Tesla he also wrote down “messages from the next world”, but allegedly he was frightened of the results of his discoveries and destroyed them. Therefore, we cannot verify this information.

Interest in PEG increased in the 1930s. at the London concert Wigmore Hall hundreds of spectators observed an unusual phenomenon.

There was a microphone on an empty stage, and loud voices speaking different languages ​​sounded from the speakers. Sound technicians could not explain what happened.

About the same time several Swedish and Norwegian pilots in their reports, they noted that in flight they heard on the radio a speech that came from nowhere, some pilots claimed that dead relatives addressed them this way. European newspapers reported on the mysterious phenomenon.

September 1952 in Milan Catholic priests Gemelli and Ernetti listened to recordings of their songs. Suddenly, a phrase was heard on the tape: “I am always with you and will help you!”

David Wilson, an amateur telegraph operator, received strange voices using Morse code.

In 1956, an experiment was conducted in the United States with the participation of strong mediums from Los Angeles Raymond Bayless And Atilla von Schallay. They recorded many voices of dead people and published their results three years later.

Therefore, since 1959, the phenomenon of the radio of the dead, which until that moment had been ignored and hushed up, had to be taken for granted.

Friedrich Jurgenson and his followers

In 1959, a Swedish documentary filmmaker recorded the voices of songbirds for a new film. But along with the bird singing, voices appeared on the tape, one of which belonged to his dead mother.

She addressed her son and, as in childhood, calling him a diminutive name, spoke about the details and facts regarding their next of kin.

In addition, Jürgenson heard a hoarse male voice on the tape, lecturing in Norwegian about the characteristics and habits of birds living in Sweden.

It is Friedrich Jurgenson who is considered the founder of the PEG study. He devoted several years to the study of such recordings and wrote the books "Radio Communication with the World of the Dead" and "Voices from the Universe."

One of the readers was a Latvian professor Konstantin Raudive, who skeptically called it "the delirium of a madman" and decided to check everything in practice.

In the mid-1960s, in Germany, he continued Jurgenson's experiments, involving electronic engineers in his work.

They created a special receiver and with its help recorded several thousand mystical voices - including those belonging to famous personalities, for example, the poet Vladimir Mayakovsky.

Based on his research, Raudive wrote several books translated into many European languages:

  • “The inaudible becomes audible” (“Breakthrough”),
  • "Do we experience death?" And
  • "The Case of the Budgerigar".

After the publication of books by Friedrich Jurgenson and Konstantin Raudive, the phenomenon of electronic voice attracted a large number of new researchers.

There is a famous case with a British Ph.D. Peter Bender teacher of religious education at the college at the University of Cambridge.

In 1972, publisher Colin Smith invited him to take part in the study of FEG. Bender categorically refused, saying that the dead cannot communicate with the living.

But Smith persuaded him to simply put the tape recorder on record and wait a few minutes - after which he rewound the tape and turned on playback. A shocked Bender heard the voice of his mother, who had died three years earlier.

In February 2001, the American magazine Fate published an article Konstantinos About, how to hear a voice from another world on your own.

  • To do this, you need to have a radio with the ability to record and tune it to an unoccupied frequency - where radio stations do not broadcast.
  • Then you need to turn on the recording, relax and mentally ask someone who has gone to another world to talk to you.
  • Stop the recording after a few minutes and listen to it.

If you managed to record a voice from another world, then at the first listening it will sound very slurred. But as you play the recording over and over again, you will feel how the voice on it becomes clearer each time.

In 2005, a film dedicated to FEG was released in the USA - mystical thriller "White Noise"(this term refers to the natural sounds of television or radio).

According to the plot, the hero's wife dies, and he communicates with her, listening to the recordings of her voice. The film was so successful at the box office that two years later a sequel, White Noise 2: The Shining, was released.

Starting from 1971, after the publication of the second book by Konstantin Raudive, the scientific world of the whole world began to widely explore the radio of the dead.

In 1973, inventors from the USA George Meek and William O'Neill began work on a special device that would make it possible to establish contact with the ghostly world.

The device, called Spirik, consisted of several generators simulating 13 voices, as well as a receiving system.

The inventors claim that with the help of Spirik they were able to establish contact with a recently deceased scientist from NASA and record as many as 20 hours of conversation.

Two years later, the first separate community was founded in Germany, whose activities were completely aimed at studying the voices from the other world.

German electronics specialist Hans Otto Koenig designed his own device for recording the voices of the dead.

In 1983, the engineer was invited to speak live on Radio Luxembourg to demonstrate the operation of the device to a million-strong audience of listeners. Koenig, commenting on his actions, began to install the equipment.

To stir up the interest of the listeners, the presenter asked if he could talk with the deceased person of his choice.

In response, Koenig's device sounded:
We hear your voice. Speak up.

This phrase was broadcast. The shocked presenter declared that he swears on the life of his children: any tricks are excluded, he, like everyone else, clearly heard the mystical voice.

He also belongs to the merit in obtaining the first "otherworldly" images.

In 2003 in St. Petersburg was scientific organization established called RAIT - the Russian Association of Instrumental Transcommunication (that is, the study of contacts with dead people through technical devices).

Included in the organization scientists have identified several patterns of such communication using computers.

  • Initially, contacts were unilateral: Sudden messages came to living people from the dead. Typically, such messages were found in previously deleted and newly restored text files.

    This suggests an analogy with recordings of electronic voices, which are formed from background noise. That is, the deleted documents represent a kind of textual white noise and, as it were, provide material for their conversion into messages from people from another world.

  • On July 29, 2008, RAIT researchers and Vadim Svitnev announced the implementation bilateral contacts using a computer and a technical device connected to it, which generates a sound wave with the help of a constant change in Internet radio frequencies.

    Scientists broadcast their questions through a microphone and, against the background of a mixture of fragments of transmissions and ether noise, received answers from the other world.

According to RAIT researchers, such registered contacts already number in the thousands.

And these facts once again confirm the opinion that life does not end with the death of our physical bodies, but exists in some other reality.

From this you can see that the phenomenon of electronic voices is not just an invention of enthusiastic amateurs. And in the next article we will consider in more detail what this phenomenon is and how it can manifest itself.

What is white noise - the phenomenon of electric voice

"Greetings from the other world" on the air: self-deception or reality?

Horror films, as you know, the film genre is more than in demand. Not so long ago, those who like to tickle their nerves were able to successfully do this by watching an American-Canadian-British horror film called White Noise. Once again, the viewer was faced with fear, born of something irrational in the spirit of the famous "Call".

The plot of the film is as follows: the main character, whose wife died in an accident, begins to receive signals from the deceased through a radio receiver. Further more, the unfortunate widower, is drawn into communication with the other world and becomes a free researcher of the so-called "white noise". Day and night, he monitors the body and radio interference, now and then discovering messages from the other world in them.

The creators of the picture added fuel to the fire, assuring that the film is based on real events related to the Electric Voice Phenomenon (EPP). There are many resources on the web that deal with this issue.

It turns out that many scientists have tried to establish a connection with the other world through technology. In 1920, the famous inventor Thomas Edison expressed the idea that our "I", passing to another world, should obviously retain its ability to influence matter even from there. And if this is so, then sufficiently sensitive equipment will be able to register such an impact - you just need to invent it. Here is such an original guess, not without reason the creators of the film "White Noise" made this phrase in the epigraph.

One of the most famous researchers of the phenomenon is the Swedish documentary filmmaker Friedrich Jurgenson. He accidentally recorded the voices of his deceased relatives on tape. The Latvian psychologist Konstantin Raudive became an associate and follower of Jurgenson. Together they conducted a lot of experiments, and Raudive soon realized that the best results can be obtained when there are some carrier waves, background noises during the PEG recording. In his opinion, interlocutors from another world somehow use this sound "raw material", transforming it into the sounds of their own voice.

Electronic voices usually vibrate at a high frequency. The rhythm of the phrase in electronic voices is also unusual, there is something supernatural in it. The pace of speech is generally faster than normal speech. Another typical feature of such voices is monotony. The most intriguing thing is that a person who encounters FEG unmistakably recognizes the voice of his deceased loved ones. True, provided that the recording is of high quality.

Anyone can try the experiment. For this, a radio receiver with a radio receiver (AM / FM) and the ability to record audio cassettes is enough. In addition, you will need headphones, with their help it is easier to detect electronic voices.
Next, take a new cassette, insert it into the tape recorder and put on the headphones. Then turn on the radio and look for unoccupied frequencies. It is necessary to find a gap between two adjacent radio stations where static interference is clearly heard, but interference from radio stations is not heard.

Then try to relax, press the record button and ask those who have gone to the best of all worlds to talk to you. Don't try to hear electronic voices while your tape recorder is on, you won't hear them.
After three to five minutes, stop recording, rewind the tape to the beginning of the recording. When playing, start at a volume level of about 20 percent of the maximum. Then start adjusting the volume to the most comfortable level. Focus on the sounds of static, get used to them so that you can distinguish the moment when their uniformity is even slightly disturbed. Here you need to be careful.
When listening for the first time, use the tape counter to note which section of the recording has something out of the ordinary. When listening again, carefully study each such marked area. Now return the tape to the beginning and do the same again, paying special attention to the most "suspicious" places and looking for new ones. And then you find a strange thing. The more often you listen to the same tape, the more clearly, all incomprehensible sections are heard, they seem to “appear”. However, one should not jump to conclusions, perhaps these sounds have a completely understandable origin: for example, they can be the voices of neighbors or other extraneous noises.

Naturally, such experiments require a certain perseverance and courage, especially bearing in mind the unenviable fate of the protagonist of "White Noise".
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