“Icon of the Mother of God” - Presentation prepared by 8th grade student Anastasia Artishevskaya. Orthodox holiday of the icon of the Kazan Mother of God. Return of the icon to Russia. Location. The miraculous icon of the Kazan Mother of God. The history of the appearance of the icon. Consequences of theft.

“Story pictures” - A. Ivanov The Appearance of Christ to the People. Religious - mythological genre. 7th grade Fine Arts teacher: Turaeva S. Yu. Historical genre. The founders of genre painting in Russia are A. G. Venitsianov and I. P. Fedotov. Pimenov. Altman. V. Vereshchagin “Apotheosis of War.” Ivan Tsarevich on a gray wolf. Ivan Bilibin. V. G. Perov Seeing off the deceased 1865

“Still life lesson” - Still life. Making a still life. K. Petrov - Vodkin. We use: Color spectrum. Renoir "Roses and Jasmine in a Delft Vase." Mashkov, K. Petrov - Vodkin... Still life looks better in increasing order from left to right - as we are used to reading. Transferring the volume of objects. K. Monet. Drawing up a still life is a creative act; it reveals the artist’s tastes and inclinations.

“Still life genre” - Composition - in the setting of a still life. Arrangement of objects in a still life. The image of the objective world is a still life. Painting. Ancient Egypt. Willem-Klas Heda A. van Beijeren Breakfast with crab Still life with lobster. Still life in warm and cold colors. Still life in fine arts. Dpi. Ancient Rome.

“The Art of Still Life” - Wood, oil. 1631. Saryan, A. Osmerkin, A. Gerasimov. Wood, oil. E. Manet. Fruits. Jean Baptiste Simeon Chardin (1699-1779). Old Pinakothek. T. Salakhov Still life with a Viennese chair. Willem Claes Heda. 1594 - between 1680 and 1682. P. G. Bogomolov (artist of the first half of the 18th century) Books Oil on canvas. 1737.

“Icons” - How were icons created in Ancient Rus'? After drying, the gesso was carefully polished with dried horsetail to a marble shine. Materials. V Computer, multimedia projector, slides. Kazan Mother of God. Technology. What is an icon? Andrey Rublev. Equipment. "The Unbreakable Wall" Objectives: IV Poster with the conference plan.

There are 6 presentations in total

History of icon painting of the Evangelist Luke Tradition dates the creation of the first icons to apostolic times and is associated with the name of the Evangelist Luke. The oldest icons that have come down to us date back to the 6th century and were made using the encaustic technique on a wooden base, which makes them similar to Egyptian-Hellenistic art (the so-called “Fayum portraits”). Portrait of a young man. 2nd century AD e. Portrait of a boy named Eutyches the Evangelist Luke painting an icon of the Mother of God (Michael Damascene, 16th century)

Andrei Rublev, Ivanov's son Born in Novgorod around 1340 - 1350, he was brought up in a family of hereditary icon painters, took monastic vows and received the monastic name Andrei; the worldly name is unknown (most likely, according to the then tradition, it also began with “A”). Rublev died during a pestilence on October 17, 1428 in Moscow, in the Andronikov Monastery, where in the spring of 1428 he completed his last work on painting the Spassky Cathedral

“Holy Trinity” by Andrei Rublev (icon of Andrei Rublev, ~ , Moscow, Tretyakov Gallery

History of icon painting Rublev, together with Daniil Cherny, Theophan the Greek and other masters, painted the Trinity Cathedral of the Trinity-Sergius Monastery and created the icons of its iconostasis Apostle Paul

Icon painting technique The types of wood often used were: linden, birch, pine, spruce, cedar, larch, oak, maple. Imported cypress board was considered the best, but also the most expensive. The boards were hewn from the block with an ax and planed with an adze. Longitudinal sawing of logs into boards in Russia began only in the 17th century. But it is believed that boards cut with an ax are of better quality than others. Adze

Icon painting technique The icon board is specially prepared for the pictorial layers by gluing pavoloka (fabric glued to the icon board before applying gesso). Serves for better adhesion of gesso (which is chalk or gypsum (alabaster) powder mixed with animal or fish glue) to the surface. The side and end surfaces of an icon board can be called a side or a ridge. Leafed icon board

Icon painting technique Most often, the preparation of boards for icons is carried out by a special master planner, the primer is applied with gesso, and the board arrives to the icon painter already prepared. There are also known icons painted on canvas primed on both sides, “canvas tska” or, in art history called “tablets”.

Field Field The field of the icon board is the frame of the middle, usually deepened part of the icon (ark). Separated from the ark by a husk (an edge of a dihedral angle formed by the internal surfaces of intersecting walls), the Igor Icon of the Mother of God with the Deesis and selected saints in the margins is often outlined along the outer edge by a line of contrasting background color with a husk edge. Late XIV - early XV centuries. State Russian Museum.

Types of icon painting It is customary to separate from icon painting, on the one hand, other forms of church fine art: monumental (wall) painting (fresco, mosaic, etc.), book miniatures, decorative and applied art (for example, embossed, cast images and enamels, sewing); on the other hand, painting with religious content, based on the author’s interpretation.

Framing Riza, or oklad (in the southern and western regions of Russia, shata, tsata, applied decoration on icons, covering the entire board on top of the paint layer, except for a few significant elements (usually the face and hands of the so-called personal letter), for which slits are made

The story of a great deception A brilliant scientist, one of the most talented painters of all times, Leonardo da Vinci was an example of a superman who had access to all the knowledge of people on Earth with equal success; he sculpted sculptures, played musical instruments, sang and composed sonnets, and had no equal in physical exercises. his contemporaries, 100 years before Newton and Huygens, he predicted the wave nature of light, independently of Galileo he understood the infinity of the Universe, and the place of the Earth in the solar system. But he was also no stranger to small pranks. And the most grandiose of them was the Shroud of Turin

1. What picture did Andrei Rublev paint? 1. What picture did Andrei Rublev paint?

When did the icon appear? The first icon of the Savior appeared during His earthly life. The Savior Not Made by Hands arose in the 1st century AD In the 6th century

slide 1

Icon in Orthodox culture
Presentation on the subject “Fundamentals of Orthodox Culture” Compiled by: T.O. Yeritsyan N.A. Geghamyan T.B. Rogova S.I. Stepanyan M.I. Bagdasaryan L.N. Kukota

slide 2

Dear to me, in front of the icon in a bright golden robe, This ardent wax, kindled by someone unknown by whose hand. I know - the candle is burning, the clergy solemnly sings: Someone’s grief subsides, Someone’s tears are quietly shedding, This is a bright moment In the wild darkness and wilderness, The memory of tears and tenderness Into the eternity of a soul that looked... A. Maikov

slide 3

An icon is an amazing, completely unique phenomenon in world human culture. We can find various images of Christ, the Mother of God and saints in both Catholic and Protestant churches, but there are no icons in the sense that they acquired in Orthodox culture anywhere else. An icon is one of the main symbols of Orthodox art.

slide 4

The icon is an integral part of the Orthodox tradition. It has been a custom in Rus' for a long time: when a person was born or died, got married or started some important business, he was accompanied by an iconographic image. The entire history of Russia passes under the sign of the icon; many miraculous and famous icons were witnesses and participants in the most important historical changes in the fate of the country.

slide 5

The word "icon" is of Greek origin and literally means "image." Therefore, in Rus', icons were often called images. An icon is a written prayer in Orthodoxy. Its content is not historical eras and not the richness of human spiritual life, but the unity of man with God.

slide 6

It is impossible to imagine an Orthodox church without Orthodox icons. A row of icons that fences off (connects) the altar from the central part of the temple is an iconostasis. In the center of the iconostasis there are doors called the Royal Doors (gates). To the right of the Royal Doors is always the icon of Christ. On the left is always the icon of Mary, the Mother of God...

Slide 7

The icon helps the believer in prayer and is, as it were, a “window” into the spiritual world, a “conductor” to God. Thanks to the icon and prayer, an Orthodox person can turn to Him and unite spiritually with Him. Therefore, believers treat icons with care, venerate them, thereby expressing their feelings for God, for the Mother of God, for holy people, who, according to the teachings of the Church, are all alive in the spiritual world; you can communicate with them by turning to them in prayer.

Slide 8

Any unworthy treatment of an icon was considered sacrilege (an insult to a religious shrine). Anyone entering a house, first of all, bowed to the icons, and then greeted the owners. Since ancient times, almost every large city or monastery had its own, especially revered, miraculous icon of the Most Holy Theotokos, which it considered to be its glory and affirmation.

Slide 9

The picturesque icon is noticeably different from the painting. This is because the task of the icon is to show the innermost world of the soul of a holy person (including the God-man Christ). An icon is not an ordinary painting. The famous historian and art critic Nikolai Mikhailovich Tarabukin wrote in one of his books: “The meaning of the icon is mysterious... the meaning of the icon is miracle-working.”
last supper
Painting by Leonardo da Vinci
Icon

Slide 10

Portrait and icon of the remarkable Russian naval commander, Admiral Fyodor Fedorovich Ushakov.

slide 11

The icon, unlike the painting, has no background or horizon. When you look at a bright source of light (the sun or a spotlight), you lose the sense of space and depth. The icon shines into our eyes, and in this light every earthly distance becomes invisible.

slide 12

Light is the main thing in the icon. In the Gospel, Light is one of the names of God and one of His manifestations. Icon painters call the golden background of the icon “light.” This is a symbol of endless divine Light.

slide 13

The saint's head is surrounded by a golden circle. The saint, as it were, is filled with light and, having been imbued with it, radiates it. This is a halo (halo) - a sign of God's grace, which permeated the life and thought of the saint and inspired his love. This halo often extends beyond the edges of the icon space. This is not because the artist made a mistake and did not calculate the size of his drawing. This means that the light of the icon flows into our world.
archangel Michael

Slide 14

One of the difficulties in the development of Christian painting was that it was necessary to answer a difficult question: how can icons be painted at all, if the Bible itself emphasizes that God is invisible.

slide 15

The icon became possible because after the Old Testament came the New Testament. The Gospel says that God, who remained invisible in Old Testament times, was then born as a man. The apostles saw Christ with their own eyes. And what is visible can be depicted.

slide 16

An icon painter could only be a person who had a special gift from God. All his life he had to carry out the constant feat of prayer and strive for moral perfection. Icon painters in Ancient Rus' were almost exclusively monks.

Slide 17

The first icon painter was the Evangelist Luke, and the first Russian icon painter was Alimpiy of Pechersk. The icons of famous icon painters Andrei Rublev, Theophan the Greek, Dionysius, Simon Ushakov and thousands of nameless masters are included in the treasury of world spiritual art, but, above all, are the property of the Russian people.

Slide 18

Icon painters depict on the icons the Most Holy Trinity, Jesus Christ, the Mother of God, angels, saints who deserved veneration for their righteous lives even after death, as well as events from the Old Testament and New Testament Sacred History, which are celebrated by the Orthodox Church as holidays. The most common and famous are the icons of Jesus Christ and the Virgin Mary.

Slide 19

“The Trinity” by St. Andrei Rublev (c. 1414) is recognized as the pinnacle of Russian icon painting and is one of the most famous masterpieces of world Christian art.

Slide 20

Icon of St. Sergius of Radonezh
Icon of St. Nicholas the Wonderworker

slide 21

Icon of St. Alexander Nevsky
Icon of the Blessed Matrona of Moscow

slide 22

The first icon of Jesus Christ has a miraculous, supernatural origin. According to legend, it appeared during the life of Jesus Christ. This is “Savior Not Made by Hands” (or “Savior on the Ubrus”) (Ubrus is a piece of canvas on which, as ancient church tradition says, the Image (Face) of Jesus Christ was imprinted).
The Icon of the Savior Not Made by Hands (VI century) from the Church of San Silvestro in Capite in the Vatican is considered one of the closest copies of the legendary “original” Image of Christ Not Made by Hands

slide 23

slide 24

Above the entrance to the northern gallery of the Annunciation Cathedral of the Kremlin there is an image of the “Savior Not Made by Hands” - a fresco presumably created by Simon Ushakov in 1661.

Slide 25

Based on this first image of the Lord Jesus Christ, the iconography of Jesus Christ adopted in the Church subsequently developed. The first images of Christ that have reached us date back to the second century after the Nativity of Christ.

slide 26

A special place in the soul of an Orthodox Christian is occupied by the Mother of God - our Intercessor, Patroness and Comforter, who chose Orthodox Rus' as Her chosen destiny.
Icon of the Mother of God Tenderness

Slide 27

From the very first centuries of the adoption of Christianity, the Russian people were imbued with deep love and veneration of the Mother of God. One of the first churches, built in Kyiv under Prince Vladimir, was dedicated to the Mother of God. In the 12th century, a new holiday was introduced into the Russian church calendar - the Intercession of the Blessed Virgin Mary. This holiday testified that the Orthodox believe in the protection of the Mother of God on the Russian land.

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Lesson Objectives:

• acquaintance with the features of ancient Russian icon painting.
• the formation of spiritual culture as part of a person’s general culture; promoting the spiritual and moral education of students; instilling in students love for their Fatherland, respect for the historical past and present of our Motherland through familiarity with Russian icon painting
• developing in students the ability for a meaningful emotional and artistic perception of Russian icon painting and reflection on its features

Equipment:

• images of icons;
• cards with Church Slavonic letters;
• cards with names of virtues and passions;
• drawings with the letter “izhe”;

During the classes

Organizing time

Hello guys! Check your readiness for the lesson and sit down.

Repetition

In ancient times, most peoples could not read the Holy Scriptures in their native language. Our Slavic ancestors did not have their own written language. Brothers Cyril and Methodius, who became monks, created the first Slavic alphabet and translated the Gospel into the Slavic language. This alphabet is still used today in the Church Slavonic language. Let's remember which letters we are already familiar with.

(Children come out with letters and read poetry).

“Az”

I fasted diligently
Before communion.
I made peace with my sister
I asked forgiveness
At Andrey's and Dasha's,
And when I took communion,
I saw it: near the Chalice
The Good Angel smiled.

“Buki”

From the bell tower ringing, ringing -
It's called Blagovest.
Ring my bell, ring
Call people to you, call them!
Fly, fly the good news,
That the temple is open and there is a service.

“Lead”

In our church on Epiphany
There was a blessing of water.
We went with my sister
For holy water.
I'm not a vegetable in the garden
I'm growing for a reason -
Every day holy water
I drink on an empty stomach!

"Verb"

The moon has come out and shined
The vault of heaven has become full
Golden peas.
And I quietly whispered:
“The Lord created all this!
How good he is!”

Communicating the topic and objectives of the lesson

There is one letter that we are not familiar with, this letter is

“Izhe”

There is an icon of the house -
The house is peaceful and bright.
The icon gives to everyone
Blessed warmth.

Our lesson topic today is “What does the icon tell about?” We will remember what we have already learned about the icon, how the icon appeared, we will talk about the icons we know and learn about new ones. So far the icons are silent, but I hope that thanks to your knowledge and the kind soul with which you came to the lesson, the icons will speak.

The word icon is Greek and in Russian means “image”, “image”. Sacred tradition says that Jesus Christ himself was the first to give people His visible image.

King Abgar, who ruled during the earthly life of the Lord Jesus Christ in the Syrian city of Edessa, was seriously ill with leprosy. Hearing that the great “prophet and wonderworker” Jesus was in Palestine, who taught about the Kingdom of God and healed any illness, Abgar believed in Him and sent his court painter Ananias to give Jesus a letter from Abgar asking for healing and to paint a portrait of Jesus. The artist found Jesus, but could not make a “portrait” “because of the radiant shine of His face.” The Lord himself came to his aid. He took a piece of fabric from the artist and applied it to His Divine face, which is why His divine image was imprinted on the fabric, by the power of grace. Having received this Holy Image - the first icon created by the Lord Himself, Abgar venerated it with faith and received healing for his faith.

And now, despite the fact that modern icon painters are reviving the traditions of canonical writing, in many churches you can mostly see images in the academic style.

Of course, an icon is always a shrine, no matter in what picturesque manner it is made. The main thing is that the degree of responsibility of the icon painter for his work to the one he depicts is always felt: the image must be worthy of the Prototype.

Analog icons

The lectern is a high quadrangular table with a sloping top, which stands opposite each altar in front of the iconostasis; a holiday icon corresponding to a particular day, or an icon corresponding to the dedication of the chapel is placed on it. Such icons are called analog icons.

If you heard in church a request from worshipers to pass or light a candle to the “holiday”, they were talking specifically about the candlestick in front of the icon lying on the lectern in the chapel where the service is taking place.

There are a lot of holidays in the Orthodox Church, and even ancient, “rich” churches cannot afford to have painted icons for each of them. But many churches do not even have the most necessary analogue icons. So, for example, most often the icon of the Resurrection of Christ is placed on the lectern - on every Saturday evening and Sunday morning, and in many churches services are performed only on these days. And very often on the lectern these days you can see a small printed icon in a plastic baguette or an icon shining due to silk-screen printing. We are sure that if you give such a church a lectern icon of the Resurrection of Christ, the rector and all parishioners will pray for you at every service.

Since the time of princes Vladimir and Yaroslav, Orthodox Slavs have worn on their chests, in addition to the pectoral cross, also pectoral icons with images of the Mother of God, the Savior, and saints. Orthodox icons for the neck were made of wood (by cutting) and of precious metals - gold, silver. Now the traditions of Orthodox wearable icons are being revived.

According to the time of celebration they are:

• motionless (not moving) - fall on the same date every year;
• movable (transitionable) - depend on the time of Easter celebration (no earlier than April 4 and no later than May 8) and therefore fall on different days every year, but are celebrated on the same days of the week, because Easter is always celebrated on Sunday.

The ancestral family icon is the protector of the entire family, a value that has been passed down from parents to children for centuries. In Rus', not a single important matter could be accomplished without the blessing of a family icon. The tradition of family icons has centuries-old roots, unites the family, strengthens the clan, and spiritually enriches a person.

Most often, the family icon depicts the Mother of God with the Child surrounded by saints of God. These may be saints whose names are borne by family members or especially revered intercessors and patrons of the clan.

The choice of the central image for a family icon is very important. That is why, before starting work, the icon painter spends a lot of time communicating with the family for whom the icon will be painted. If one of the family members was born on the day of the celebration of any of the images of the Mother of God, then a decision may be made to write this image on the icon.

While working on a family icon, the master prays for the well-being of this family, and the family, in turn, prays that the Lord will send him the Holy Spirit to help him. A family icon is one of the main family shrines. You can buy such an icon as a gift to a young family and give it as a gift on their wedding day. It depicts two saints - the patrons of a husband and wife.

A family icon is an inherently unique gift. She will protect, protect and unite the family and help overcome difficulties. Therefore, you can order and buy such an icon for any event that is significant for the family.

The main feature of a family icon is that thanks to it it is possible to carry out a conciliar prayer, that is, to bring together the requests of each family member who prays not only for himself, but also for his loved ones. A family icon is a shrine that unites the entire family in love, patience, trust and mutual understanding. Thanks to such an icon, you can overcome family disputes and troubles

Since ancient times, in Russia there have been folding or polyptychs - folding multi-leaf portable altars, in some cases serving as reliquaries for preserving particles of the relics of saints. Such ancient religious objects could have a different number of doors, made of wood, bone or metal. The folding doors were painted, decorated with carved elements, and also decorated with enamel painting. Such antique objects with two doors were called diptychs, folds made up of three doors were called triptychs, and those made of four doors were called quadriptychs. The least common were folding polyptychs, which consisted of a large number of doors.

As a rule, ancient folding jackets in Rus' were chest-mounted and worn on a cord. There were also folding boxes in the form of an ark into which the icon was placed. In the sixteenth and seventeenth centuries, large folding iconostases were created in workshops at monasteries, intended for campaigns.

In Rus', folding chest, body and stand-up or icon case were known. All these religious objects could be useful - they were taken with them on a pilgrimage, on the road or on a hike. Some ancient folding doors with a large number of doors were called camp doors. According to historical information, in the seventeenth century all warriors necessarily had triple folds worn on their chests. The military never parted with such relics.

The icon has the great power of a gracious action that purifies the souls of people who contemplate it. According to the Orthodox dogma of icon veneration, approved by the VII Ecumenical Council, “the honor given to an icon relates to its prototype, and the one who worships the icon worships the hypostasis of the person depicted on it.” The Council especially emphasizes that we give veneration to icons, and not the worship that is due to God alone. “An icon mysteriously contains within itself the presence of the one whom it depicts, and this presence is the closer, more grace-filled and stronger, the more the icon corresponds to the church canon.”

All canonical icons in churches or homes are sacred due to their spiritual content and meaning. However, some are chosen by God's Providence for special signs. The indescribable light, fragrance, and holy emanation from them. myrrh - material signs of the appearance of the heavenly world, the Kingdom of God.

The history of the Orthodox Church includes about a thousand images, famous for their miracles throughout the history of Christianity. Most of them are images of the Mother of God, the Heavenly Intercessor of the human race. The main basis for venerating a particular image as miraculous was the certified gift of specific help to people, be it healing the sick, intercession from enemies, fires, or the elements. Sometimes this help was preceded or accompanied by a certain supernatural event: the Mother of God Herself came in a dream or in a vision and informed where and how Her image should be found; the icons walked through the air, descended or ascended by themselves; a radiance was observed from them when they were acquired

The iconostasis is quite easy to learn to understand if you know the principle by which icons are arranged in the iconostasis.

• So, the first row is the icons called “local”.

First of all, these are the main icons of the iconostasis: the icons of the Savior and the Mother of God. Take a closer look, they are always located on the sides of the royal doors and are clearly visible in this photo.

Further, a number of local icons include an icon depicting a saint (or event) in whose honor the temple was consecrated. This could be an icon of the Holy Trinity (if the Trinity Church), an icon of the Assumption of the Mother of God (if the Assumption Church), etc.

Local icons also include icons of revered saints (for example, whose relics are kept in the temple) or other icons that, for one reason or another, it was decided to place in the first row of the iconostasis.

• Second row of the iconostasis: Deesis order, that is, the saints standing before Christ in reverent worship.
• Third row: Twelfth holidays, that is, the 12 most important holidays of the Orthodox Church. These icons are often made in small sizes.

The red corner was the most important and honorable place in the house. In Rus', the hut was always built in a certain way, taking into account the sides of the horizon, the red corner was located on the eastern side, in the farthest and well-lit place. It contained a home iconostasis. It was considered important that when entering a hut, a person should first of all pay attention to the icon. In connection with this, there was even a saying: “Without God, there is no way to reach the threshold.”

The icons were installed on a special shelf and had to be in a certain order. The most important icons that should have been in every home were considered to be the icons of the Mother of God and the Savior. The red corner was always kept clean, and sometimes decorated with embroidered towels.

Creative work (can be assigned at home)

Today we talked about icons. In them, colors also have their own meaning.

• White – moral, pure
• Black – darkness, evil forces
• Red – fire, life
• Green is a symbol of life on Earth
• Crimson - a sign of greatness
• Blue is the color of heavenly truth

Color the letter “IZHE” given to you.

Lesson summary

So our lesson has come to an end. Continue the sentences:

• Today in class I learned that...
• Today in class I realized that...
• Today in class I felt...
• I really want to...

From the experience of teaching the module “Fundamentals of Orthodox Culture” of the course “Fundamentals of Religious Cultures and Secular Ethics” by primary school teachers at the Municipal Educational Institution “Secondary School with In-Depth Study of Individual Subjects No. 30” in Saransk

Sheltukova Tatyana Borisovna

The priest serves the service,

Coming from all people.

The Holy Spirit will concelebrate there,

House of the Lord, or

Sits on the Throne

In a hot halo of glory

Our Father and Sovereign.

Here the priest serves Him,

Here he asks for everything he needs.

And now, just like before,

God's house is holy

ALTAR (high altar) - the eastern, main part of the temple, in which the throne is located.

So that the Cup where Christ is,

Who hasn't grown up yet?

I could see from all sides,

rises

Ambon (to rise) - part of the solea , protruding in a semicircle into the center of the temple opposite the royal doors . Used for delivering sermons and reading the Gospel and so on.

The altar is separated from the temple,

Icons hang here in frames,

There are lamps in front of the icon cases

They light up as they should

Just before the service.

What's this?

ICONOSTAS - partition dividing the altar and the middle part of the temple . Consists of icons arranged in tiers. The number of tiers ranges from three to five.

To these images I

I begin with respect.

I will apply myself reverently,

And from them holy oil

I'm waiting for the anointing.

I pray, I bow

Images, saints

We want to know:

Why is the icon so unusual?

• Why do they depict the invisible?
• Who do Orthodox Christians pray to when standing in front of an icon?

Borovikovsky B.L. Christ with a sphere.

Icon "Savior Almighty".

15th century, Novgorod.

Waybill

sign

Icon

Painting

LIGHT

from within

from outside

painting

icon

Icon of St. Apostle Paul.

15th century, St. Andrey Rublev.

Apostle Paul.

El Greco.

SHADOW

There is

icon

painting

Icon of St. Apostle Peter.

12th century, Athos.

Apostle Peter.

El Greco.

not closed

closed

painting

The Last Supper.

Shebuev V.K.

icon

Icon "The Last Supper".

NIMBUS

There is

icon

painting

Virgin and Child in Roses. Bruni F.A.

Icon of the Blessed Virgin Mary “Hodegetria”, 15th century.

SPACE

limited

not limited

painting

icon

Icon of St. Nicholas the Wonderworker

Portrait of Mrs. Lisa del Giocondo,

Leonardo da Vinci

HARMONY OF LINES

icon

painting

Icon of the Blessed Virgin Mary “The Unbreakable Wall”

1218, Yaroslavl.

Image of mountains and hills

painting

icon

Chomolungma (Everest).

Roerich N.K.

"Transfiguration"

15th century, Novgorod.

painting

The Last Supper.

Leonardo da Vinci.

REVERSE PERSPECTIVE

Icon "The Savior on the Throne".

15th century, Novgorod.

icon

CENTER OF THE ICON - FACE

The Most Holy Theotokos "Vladimir"

icon

Waybill

sign

Icon

Painting

Space

Not limited

Harmony of lines

Limited

Image of mountains and hills

Rounded

Perspective images

Real picture

Reverse

Center of the image

Linear

Alexander Nevskiy

Is this a painting or an icon? Justify.

RESULT OF THE LESSON

1. Today I found out...

2. It was interesting...

3. It was difficult...

4. I completed tasks...

5. I realized that...

6. Now I can...

7. I felt that...

8. I purchased...

9. I learned...

10. I did it...

11. I was able...

12. I'll try...

13. I was surprised...

14. He gave me a lesson for life...

The eyes of icons and candles are crying... A trembling voice in silence: “Send us, God, good luck, Love and happiness on earth... Let the rains pass by May the sun rise every day With bright rays over the world, Melting the ice in our hearts...

And may the sky be calm, Flowers in the meadows and children's laughter, And the house smells of fresh bread, God bless us all!” N. Aldokhina